

Artemi Panarin gave the hockey world something different on Tuesday night—something that didn’t feel like it belonged on a stat sheet.
At the Scotiabank Saddledome, with the shootout deciding things between the Los Angeles Kings and Calgary Flames, Panarin glided in slowly, almost casually. Then came the move: forehand to backhand, lifted upstairs in one smooth motion. It was clean, controlled, and instantly familiar—the kind of finish that used to feel routine when Johnny Gaudreau had the puck on his stick.
You could recognize it right away.
But what made the moment stick had nothing to do with how the puck went in.
Panarin didn’t react like a player who had just scored in a shootout. No fist pump, no shout. He simply kissed his fingers and pointed upward. Quick. Quiet. Intentional. The kind of gesture you don’t need explained.
For a second, it felt like the building understood. Not in a loud way—but in that subtle shift where people stop thinking about the game and start feeling something else.
The move itself has history, of course. Players like Pavel Datsyuk made a career out of hands like that. But in that moment, nobody was thinking about origins or technique. It felt tied to Gaudreau—the creativity, the patience, the ability to make something difficult look effortless.
The game still needed a result. Yegor Sharangovich eventually ended it, giving Calgary a 3–2 win in the fourth round of the shootout. It mattered in the standings.
It just didn’t feel like the most important part of the night.
Because moments like that carry weight that goes beyond the game.
The loss of Johnny and Matthew Gaudreau is still something hockey hasn’t really moved past. It’s the kind of tragedy that doesn’t fade cleanly with time. Around Calgary especially, his presence hasn’t gone anywhere. You still hear his name. You still see the reminders. And you still get the sense that he’s part of the fabric of the place.
Johnny Gaudreau, who spent nine seasons with the Calgary Flames, was tragically killed alongside his brother Matthew when they were struck by a drunk driver while cycling the day before their sister’s wedding.That’s why Panarin’s decision mattered. He didn’t make a big show of it. He didn’t need to. He just borrowed something recognizable and gave it back with meaning behind it.
And maybe that’s the best way to put it—he didn’t try to recreate Johnny Gaudreau. He just made sure people were thinking about him again.
For a few seconds, that was enough.
